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With thousands of extras, both animal and human, it does an incredible job of capturing the sheer size of an Egyptian city in full swing.
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If I was going to recommend the film for any reason, it would be to witness its incredible scale.
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Also, the titular commandments don't play much of a role in the film, since they only appear in the last 10 minutes when things are already wrapping up. It's probably not worth pointing out holes in the story, since it's based on biblical accounts, and therefore there's not much you can do if you want to tell the story we're all familiar with.
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It feels more like a childish game of one-upmanship than it does a bid to free slaves from bondage, and when the exodus does eventually begin, even that seems to last a lifetime. Moses' journey in the desert and his transformation into a liberator is good too, but the section where he comes back to confront Rameses has very little momentum and seems to go on forever. The beginning of the film, which introduces the main characters and establishes their connections is the most enjoyable part. The film also suffers from an excessive runtime and a very uneven pace. The dialogue is hammy, the acting feels stagey and the fight scenes are 1950s through and through. DeMille's final film, and the one he is arguably best known for. If you found this content meaningful and want to help further our mission through our Keter, Makom, and Tikun branches, please consider becoming a Change Maker today.Regarded as one of the finest epics ever to grace the cinema screen, The Ten Commandments was Cecile B. The greatest part of the greatest story ever told, is the fact that we keep telling it, year after year, with our own imaginations to do the acting, directing and editing. It shone so bright, the Torah says he had to wear a veil from that point forward.ġ1) Dealing with the Golden Calf: While the film shows Moses shattering the Tablets in anger upon witnessing the Golden Calf, the Torah’s account has Moshe “tearing up the contract” of the first set of tablets, and returning to the mountaintop for another forty-days to negotiate repentance and atonement on behalf of the Jewish people.ĭespite the movie’s nearly 4 hour length, there is a very good reason why we dedicate 2 entire nights a year to retell this story, despite what Cecil B. But it would have been cool if he tried!ġ0) Rays of Light: When Moses descended Mount Sinai, coming so close to the Almighty changed his face forever. DeMille was not able to recreate such a phenomenon in his film. Only then, following the footsoldier’s self-sacrifice, did the sea finally split – into 12 COLUMNS!!! Bummer that hasn’t made that into any film of the story (yet).Ĩ) Where Were The Flowers? The midrash tells us that the foot of Mount Sinai, where the Jews awaited receiving the Torah, was carpeted with greenery and fragrant flowers.ĩ) Seeing Thunder? The Torah tells us “All the people saw the thunder and lightning.” Visual thunder is so other-worldly, that evenĬecile B. Which segues nicely to our next difference:ħ) Where is Nachshon?!: The Midrash goes into great detail about the Splitting of the Sea, particularly the story of Nachshon the son of Aminadav – who followed Moshe’s orders and walked into the sea until the waters covered his nostrils. In the Torah account of the story, although Moshe was taken from the Nile by Batya and lived in Pharoah’s house, he continued to maintain a relationship with his birth family – even nursing from his birth mother. Here are just a fraction of the differences between the film and the traditional, text-based Jewish version of the Exodus:ġ) We Are Family In both The Ten Commandments and The Prince of Egypt, Moshe does not grow up knowing his birth family and only later discovers he was, in fact, a Hebrew. Comparing and contrasting the two has made for some excellent Shabbos table discussions and intellectual excercises over the years. My first go-around actually learning the Torah with Rashi’s commentary didn’t happen until my early twenties, and I was struck by how much of my own, personal experience of the Exodus was based more on the 10 Commandments than actual Jewish tradition. Although I watched it on a television screen decades after it “played on the big screen, it still took my breath away – even as a child of the eighties, who grew up accustomed to Spielberg and Lucas-era spectacle. Growing up in secular America, it was always a major event when they would broadcast The Ten Commandments on one of the major, primetime networks.